









Canon EOS C400 6K Full Frame Cinema Camera Body
29.950,00 AED ex. VAT
31.447,50 AED inc. VAT
- 6K full frame BSI sensor with 16 stops of dynamic range, triple base ISO (800/3200/12800), and organic colour reproduction
- Dual Pixel CMOS AF II with EOS iTR AF X for full-sensor face, eye, head, body, and animal tracking
- Records 12-bit Cinema RAW Light LT/ST/HQ up to 6K 60P and 4K 120P with oversampled 4K 4:2:2 10-bit
- RF Mount with PL and EF adaptability — 12G-SDI, 3G-SDI, 2x mini-XLR, Genlock, Wi-Fi, and Ethernet
- Real-time metadata for VP/VFX with Unreal Engine and After Effects support for virtual production
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Description
EOS C400 Camera
The Canon EOS C400 is a versatile and powerful cinema camera built for cinema, live broadcast, and virtual production. It combines a cutting-edge 6K full frame BSI sensor with professional recording formats, advanced autofocus, and comprehensive connectivity, making it a true workhorse across the most demanding production environments.
6K Full Frame BSI Sensor
The backside illuminated BSI sensor delivers 16 stops of dynamic range, organic color reproduction, and a triple base ISO system at 800, 3200, and 12800 for low-noise performance in any lighting condition. As a result, the EOS C400 captures breathtaking footage with next-generation image quality and remarkable sensitivity from full daylight to extreme low light.
RF Mount and Lens System
The EOS C400 uses Canon’s RF Mount system for exceptional optical performance with RF lenses, including sophisticated image stabilization, autofocus, and real-time metadata for VFX and XR workflows. The camera body also adapts to PL and EF mounts, giving you broad lens compatibility across different production setups.
Dual Pixel CMOS AF II with EOS iTR AF X
The updated autofocus system features Dual Pixel CMOS AF II with EOS iTR AF X for pin-sharp and ultra-responsive tracking. It covers face, eye, head, body, and animal subjects across the full sensor. Face-only recognition and customizable settings give you full control over your focus, ensuring it never slips during demanding shoots.
Professional Recording Formats and High Frame Rates
The EOS C400 records 12-bit Cinema RAW Light LT, ST, and HQ formats up to 6K 60P, as well as 4K 120P for high-speed shooting. Over sampled 4K 4:2:2 10-bit is available via XF-AVC and improved XF-AVC S and XF-HEVC S MP4 formats, all featuring detailed metadata and filename structures for streamlined post-production workflows.
Uncompressed Connectivity
On-body I/O includes 12G-SDI, 3G-SDI, 2x mini-XLR, Mic In, Remote, Time code, LENS, and Genlock/SYNC/Return connections. Built-in Wi-Fi and Ethernet enable real-time IP streaming via SRT and RTSP, plus remote control via XC Protocol. The Canon Multi-Function Shoe adds further expandability, and live multi-camera production is supported through Return Input, the RC-IP1000, and the Multi-Camera Control App.
Built for Virtual Production and the Future
Real-time metadata supports VP and VFX workflows with Unreal Engine and After Effects compatibility. Genlock and organic color reproduction make the EOS C400 ideal for large LED volumes. In addition, it supports Canon’s RF 5.2mm F2.8L Dual Fish eye lens for immersive VR experiences, making it a camera built not just for today’s productions but for the future of film making.
Key Features
- 6K full frame BSI sensor with 16 stops of dynamic range
- Triple base ISO — 800, 3200, and 12800 for low-noise performance
- Organic color reproduction for natural and accurate image output
- RF Mount with PL and EF mount adaptability
- Dual Pixel CMOS AF II with EOS iTR AF X for full-sensor subject tracking
- Face, eye, head, body, and animal tracking with face-only recognition mode
- 12-bit Cinema RAW Light LT/ST/HQ up to 6K 60P
- 4K 120P high frame rate recording
- Over sampled 4K 4:2:2 10-bit via XF-AVC and XF-AVC S/XF-HEVC S formats
- 12G-SDI, 3G-SDI, 2x mini-XLR, Mic In, Remote, Time code, LENS, and Genlock/SYNC/Return
- Built-in Wi-Fi and Ethernet for SRT/RTSP IP streaming and XC Protocol remote control
- Canon Multi-Function Shoe for added expandability
- Return Input and 12-pin lens interface for live multi-camera production
- Real-time metadata for Unreal Engine and After Effects VP/VFX workflows
- Compatible with Canon RF 5.2mm F2.8L Dual Fish eye for VR production
- EOS C400 Body
- Handle Unit
- Camera Grip (incl. grip attachment ring)
- LCD Monitor & Attachment Unit
- MC-5U Monitor Cable
- Microphone Holder & Screws
- Body Cap
- Tape Measure Hook
- Hex Wrench
- BP-A60N Battery
- CG-A20 Battery Charger
- CA-CP300B Power Adapter
- User Manual
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| Technical Specifications | |
|---|---|
| Sensor | |
| Sensor Type | Full Frame Back-Side Illuminated (BSI) CMOS sensor |
| Filter | RGB primary color filter (Bayer array) |
| Sensor Modes | Full Frame / Super 35mm (Crop) / Super 16mm (Crop) |
| Total Pixels | Approx. 26.67 megapixels (6202 x 4300) |
| Effective Pixels | • Approx. 19.04 megapixels (6008 x 3170): When 6000 x 3164 / 4096 x 2160 / 2048 x 1080 is selected as the resolution • Approx. 17.85 megapixels (5633 x 3170): When 3840 x 2160 / 1920 x 1080 is selected as the resolution |
| Effective Sensor Screen Size | Full Frame: • 36.0 x 19.0 mm (40.7 mm on the diagonal): When 6000 x 3164 / 4096 x 2160 / 2048 x 1080 is selected as the resolution • 33.8 x 19.0 mm (38.7 mm on the diagonal): When 3840 x 2160 / 1920 x 1080 is selected as the resolution |
| Dynamic Range | • Canon Log 2: 1600% / 16 stops (at ISO 800) • Canon Log 3: 1600% / 14 stops (at ISO 800) |
| Base ISO | 800 / 3200 / 12800 *(when shooting in RAW or Canon Log 2/3) |
| Image Processor | |
| Type | DIGIC DV7 |
| Lens | |
| Lens Mount | • Canon RF mount • PL mount support via PL-RF Mount Adapter • EF mount support via EF-EOS R Mount Adapter |
| Lens Magnification Factor | Full Frame: • 4096 x 2160 or 2048 x 1080: Actual focal length x Approx. 1.06 • 3840 x 2160 or 1920 x 1080: Actual focal length x Approx. 1.12Super 35mm (Crop): • 4096 x 2160 or 2048 x 1080: Actual focal length x Approx. 1.46 • 3840 x 2160 or 1920 x 1080: Actual focal length x Approx. 1.54 Super 16mm (Crop): |
| Digital Lens Correction | Peripheral Illumination Correction, Chromatic Aberration Correction, Diffraction Correction, Distortion Correction (RF lenses only) |
| ND Filter | 2, 4 or 6 Stops. Up to 10 stops via built in ND filter system (in extended mode) |
| Iris Control (EF Mount Lenses) | 1 / 2-stop, 1 / 3-stop or FINE control |
| Auto Iris | Yes |
| Cooke /i Technology™ Support | Only when equipped with Mount Adapter PL-RF |
| Anamorphic Lens Support | Yes, 2x / 1.8x / 1.5x / 1.3x |
| Image Stabilization System | 5-Axis Combination IS (Optical and Digital) with supported lenses; Digital 5-Axis IS for non IS lenses. |
| Recording | |
| Internal Recording Media | 1x CFexpress 2.0 (Type-B), 1x SD Card (SD / SDHC / SDXC) |
| Recording Time (Approx. on 128GB) | • Cinema RAW Light LT: 6000 x 3164 576 Mbps: approx. 118 Mins • Cinema RAW Light ST: 6000 x 3164 886 Mbps: approx. 77 Mins • Cinema RAW Light HQ: 6000 x 3164 1800 Mbps: approx. 37 Mins • XF-AVC: 4096 x 2160 500 Mbps: approx. 136 Mins • XF-AVC S: 4096 x 2160 500 Mbps: approx. 136 Mins • XF-HEVC S: 4096 x 2160 135 Mbps: approx. 505 Mins |
| Recording Formats | Cinema RAW Light (CRM), XF-AVC (MXF), XF-AVC S (MP4), XF-HEVC S (MP4) |
| Recording Options | Relay Recording, Double Slot (Simultaneous) Recording, Simultaneous Recording in Multiple Formats |
| System Frequency / Frame Rates | • 59.94 Hz mode (59.94P / 59.94i / 29.97P / 23.98P) • 50.00 Hz mode (50.00P / 50.00i / 25.00P) • 24.00 Hz mode (24.00P) |
| Cinema RAW Light Bit Rate/Depth (PAL) | 12-bit Cinema RAW Light LT: • FF / 6000 x 3164 / 50P [1160 Mbps] | 25P [576 Mbps] • S35 / 4368 x 2304 / 50P [611 Mbps] | 25P [306 Mbps] • S16 / 2184 x 1152 / 50P [154 Mbps] | 25P [77 Mbps]12-bit Cinema RAW Light ST: • FF / 6000 x 3164 / 50P [1780 Mbps] | 25P [886 Mbps] • S35 / 4368 x 2304 / 50P [939 Mbps] | 25P [470 Mbps] • S16 / 2184 x 1152 / 50P [236 Mbps] | 25P [118 Mbps] 12-bit Cinema RAW Light HQ: |
| XF-AVC Recording Bit Rate/Sampling (PAL) | 4:2:2 10-bit (Intra-frame): • 4096×2160 or 3840×2160 / 50P [1000/750/500 Mbps] | 25P [500/375/250 Mbps] • 2048×1080 or 1920×1080 / 50P [250 Mbps] | 50i [125 Mbps] | 25P [125 Mbps]4:2:2 10-bit (Long GOP): • 4096×2160 or 3840×2160 / 50P [250 Mbps] | 25P [150 Mbps] • 2048×1080 or 1920×1080 / 50P [50 Mbps] | 50i [50/25 Mbps] | 25P [50 Mbps] |
| XF-AVC S Recording Bit Rate/Sampling (PAL) | 4:2:2 10-bit (Intra-frame): • 4096×2160 or 3840×2160 / 50P [1000/750/500 Mbps] | 25P [500/375/250 Mbps] • 2048×1080 or 1920×1080 / 50P [250 Mbps] | 25P [125 Mbps]4:2:2 10-bit (Long GOP): • 4096×2160 or 3840×2160 / 50P [250 Mbps] | 25P [150 Mbps] • 2048×1080 or 1920×1080 / 50P [50 Mbps] | 25P [50 Mbps] 4:2:0 8-bit (Long GOP): |
| XF-HEVC S Recording Bit Rate/Sampling (PAL) | 4:2:2 10-bit (Long GOP): • 4096×2160 or 3840×2160 / 50P [225 Mbps] | 25P [135 Mbps] • 2048×1080 or 1920×1080 / 50P [50 Mbps] | 25P [50 Mbps]4:2:0 10-bit (Long GOP): • 4096×2160 or 3840×2160 / 50P [150 Mbps] | 25P [100 Mbps] • 2048×1080 or 1920×1080 / 50P [35 Mbps] | 25P [35 Mbps] |
| Proxy Recording Bit Rate/Sampling (PAL) | 4:2:0 8-bit (Long GOP): 2048×1080 or 1920×1080 [35/16/9 Mbps] | 1280×720 [6 Mbps] 4:2:0 10-bit (Long GOP): 2048×1080 or 1920×1080 [16/9 Mbps] |
| Slow / Fast Motion | • 6K RAW: up to 60 FPS • 4K: up to 120 FPS • 4.3K RAW (S35 Crop): up to 100 FPS • 2K (S16 Crop): up to 180 FPS |
| Special Recording Modes | Interval Record, Frame Record, Pre Record (Cache Record – 3 Seconds) |
| Digital Tele-converter | 1.5x, 2x, 2.5x, 3x, Off |
| Photo Storage & Size | SD Card | 4096×2160 / 3840×2160 / 2048×1080 / 1920×1080 |
| Monitoring & Display | |
| Display Type & Resolution | 3.5 inch LCD Touch Panel | Approx. 2.76 million dots (1280 x RGB x 720) |
| Touch Screen Functions | Focus Point Selection, Touch Screen UI for Shooting Settings |
| Tools & Indicators | • OSD for Vertical Shooting: Yes • Wave Form Monitor: Yes (Line / Line + Spot / RGB Parade / YPrPb Parade) • False Colour Display: Yes (6 Colour Index) • Colour Bars: SMPTE / EBU / ARIB • Peaking: Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable) • Zebra: Level 1; Level 2; Both • Markers: Center, horizontal/vertical, grid, aspect, safe area, user marker (Colour selectable) |
| Built-In EVF | No |
| Inputs / Outputs | |
| Audio In | 2x Mini XLR 3-pin connector, 1x 3.5 mm stereo mini jack, Built-in Stereo microphones |
| Audio Out | 1x 3.5mm stereo mini jack Headphone Output |
| Video Outputs | 1x 12G-SDI Output (BNC), 1x 3G-SDI Monitor Output (BNC), 1x HDMI (Type-A) |
| Data & Control Terminals | • USB-C: 1x Data Terminal (USB 3.2 Gen1), 1x Grip Terminal, 1x Video Connector (for supplied LCD) • Remote Control: 1x 2.5 mm stereo mini jack • Lens Terminal: 1x 12-pin jack • Ethernet Terminal: 1x RJ45 Connector (1000BASE-T compatible) |
| Studio Sync Terminals | • Time Code: 1x DIN 1.0 / 2.3 (Input / Output) • Genlock / Sync / Return: 1x DIN 1.0 / 2.3 (Shared) |
| Power Input | 12V (4-pin XLR / 11.5-20V) |
| Multi-Accessory Shoe | Yes (via camera body or top handle) |
| Tally Signal / Lamp | Yes, via Wi-Fi or Ethernet using XC Protocol | 2x Tally Lamps |
| IP Streaming / FTP | Via Ethernet / Wi-Fi (9 Mbps / 4 Mbps: 1920×1080 59.94p/i, 50.00p/i) | UDP / RTP / SRT / RTP+FEC / RTSP+RTP |
| User LUT Input | Yes, in-built LUTs available. Custom LUTs via Look File function (compatible with 17 or 33 grid .cube files) |
| Interface Controls | |
| Default Function Buttons | 1. MAGN. | 2. PEAKING | 3. WFM | 4. S&F | 5. ISO/GAIN | 6. SHUTTER | 7. S&F FPS | 8. AUDIO STATUS | 9. WB | 10. SET WB | 11. FUNC | 12. Unassigned | 13. AF LOCK |
| Assignable Buttons / Dials | 13x (Body) / 3x (Hand Grip) / 2x (LCD Monitor) | 3x Custom Dials |
| Software Application Support | |
| Applications & Plugins | Cinema RAW Development, XF Utility, EOS VR Utility, Remote Camera Control, RAW Plugin (Avid / Final Cut Pro), XF Plugin (Avid), EOS VR Plugin (Premiere Pro), CV Metadata Plugin (After Effects), Live Link Plugin (Unreal Engine), CV Metadata Extraction Tool, MP4 Join Tool, HEVC Activator, Frame.io Camera to Cloud |
| Smartphone Applications | Canon Multi-Camera Control, Content Transfer Professional, Browser Remote Control |
| Exposure | |
| Metering & Modes | Standard / Spotlight / Backlight | Auto Exposure, Auto Iris, Auto ISO, Push Auto Iris (Exposure Lock: No) |
| Exposure Compensation | AE shift function available. Target value (±8 steps from center) |
| Auto Gain Control | Yes |
| ISO Sensitivity Range | 1-Stop Display: 100* / 160** / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400* 1/3-Stop Display: 100* to 102400* (Standard 160 to 51200) *when ISO Extended Range is ON | **when Extended Range is OFF |
| Gain Setting | -6dB*, -3dB*, -2dB** to 48dB, 51dB*, 54dB* (*Extended ON / **Extended OFF) |
| Auto Focus | |
| AF System & Modes | Dual Pixel CMOS AF II + EOS iTR AF X | Continuous AF / One-Shot AF / Focus Guide |
| AF Frame Sizes / Coverage | • Full: Approx. 100% (Vertical) x 100% (Horizontal) • Large Zone (V): Approx. 97% x 25% | Large Zone (H): Approx. 43% x 76% • Zone: Approx. 43% x 25% | Small Zone: Approx. 15.9% x 11.8% |
| Detection AF | Face Detection (Eye / Face / Head / Body) | Animal Detection (Dogs / Cats) |
| Shutter | |
| Control Modes | Speed / Angle / Clear Scan / Slow Shutter |
| Shutter Parameters | • Shutter Speed: 1/1 to 1/2000 (45 settings) • Shutter Angle: 11.25º to 360º • Slow Shutter (SLS): 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 • Clear Scan: 23.97 Hz to 2000 Hz |
| Custom Picture & Image Profiles | |
| Stored Configurations | C1: Canon 709 | C2: Canon Log 2 | C3: Canon Log 3 | C4: BT.709 Wide DR | C5: BT.709 Standard | C6: PQ | C7: HLG | C8: EOS Standard | C9: EOS Neutral | C10: User10 to User20 |
| HDR-HLG Profile / Colour Matrix | BT.2100, Vivid | Neutral, Production Camera, Video |
| Image Adjustments | Master Pedestal, Master Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Reduction, Skin Detail, Colour Matrix Tuning, White Balance, Colour Correction |
| Wi-Fi, GPS & Timecode | |
| Wi-Fi & GPS | In-built Wi-Fi (2.4 / 5GHz, 802.11a/b/g/n/ac) | GPS info available via optional GP-E2 Receiver |
| White Balance | Auto | Presets: Daylight (5600K), Tungsten (3200K), Kelvin (2000K-15000K), Set A, Set B | Shift: ±5 CC (Daylight/Tungsten), ±20 CC (Kelvin) |
| Time Code System | Regen / RecRun / Free Run / External / Frame Count |
| Audio | |
| Recording Format | • RAW / XF-AVC: Linear PCM (24-bit / 48 kHz, 4 channels) • XF-AVC S / XF-HEVC S: Linear PCM (24-bit / 48 kHz, 4 channels) or MPEG2-AAC LC (16-bit / 48 kHz, 2 channels) |
| Power Source & Consumption | |
| Power Supply | Battery: BP-A60N (Supplied), BP-A30N / BP-A30 / BP-A60 (Optional) | Mains: DC IN 12V terminal (4-pin XLR) |
| Power Consumption (Approx.) | • RAW ST (6000×3164, 59.94P): 32.5W • RAW ST (4368×2304, 59.94P): 3.4W • XF-AVC (4096×2160, 59.94P): 31.6W • XF-AVC (2048×1080, 59.94P): 29.7W |
| Continuous Recording Time | With supplied BP-A60N Battery: • RAW ST (6000×3164, 59.94P): 155 Mins (Full Frame) • RAW ST (4368×2304, 59.94P): 165 Mins (Super35) • XF-AVC (4096×2160, 59.94P): 160 Mins (YCC422 10-bit) • XF-AVC (2048×1080, 59.94P): 170 Mins (YCC422 10-bit) |
| Physical Specifications | |
| Dimensions & Body Weight | Approx. 142 x 135 x 135 mm (Main Body Only) | 1540g (Body Only) |
| Component Weights | LCD Monitor: 155 g | LCD Attachment Unit: 260 g | MC-5U Cable: 25 g | Handle Unit: 300 g | Camera Grip: 270 g | BP-A60N Battery: 465 g | CA-CP300 B Adapter: 219 g | CG-A20 Charger: 145 g | Mic Holder: 60 g |
| Operating Environment | Approx. 0 to 40°C (85% RH) | Approx. -5 to 45°C (60% RH) |
| Accessories | |
| Supplied In The Box | LCD Monitor, LCD Attachment Unit, MC-5U Monitor Cable, Handle Unit, Camera Grip, BP-A60N Battery Pack, CA-CP300 B Compact Power Adapter, CG-A20 Battery Charger, Microphone Holder |
| Optional / Third Party | BP-A30N/BP-A60N/BP-A30/BP-A60 Batteries, CG-A20/CG-A10 Chargers, PL-RF Mount Adapter, EF-EOS R Mount Adapters (Standard / Control Ring / Drop-In Filter / 0.71x), Remote Controllers (RC-V100 / RC-IP100 / RC-IP1000), DM-E1D Shoe Microphone, OC-E4A Cord, IFC-100U/IFC-400U Interface Cables, Tascam CA-XLR2d XLR Adapter |
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