













Sony FR7 Cinema Line PTZ Camera Full Frame
35.680,00 AED ex. VAT
37.464,00 AED inc. VAT
- Full-Frame Sensor: 35mm back-illuminated CMOS sensor with 10.3 megapixels for superior image quality.
- BIONZ XR Processor: High sensitivity, low noise, and true-to-life color.
- 15+ Stop Latitude: Wide dynamic range for detail in highlights and shadows.
- Low Light Performance: ISO up to 409,600 for clear images in low light.
- 4K 120p Slow Motion: Smooth slow motion in 4K at 120 fps.
- 4K 60p 10-Bit Output: HDMI/SDI output for high-quality external recording.
- Internal 4K 10-Bit Recording: Dual CFexpress/SDXC card slots for 4:2:2 10-bit recording.
- S-Log3/S-Gamut3: High-quality color grading support.
- S-Cinetone: Cinematic colors with no post-production needed.
- E-mount Lens Support: Compatible with Sony’s full range of lenses.
- Smooth Pan-Tilt-Zoom: Wide movement range with preset positions and variable speeds.
- Web App Control: Remote operation via a dedicated web app.
- Fast Hybrid AF: Quick, reliable autofocus with 627 phase-detection points.
- Real-Time Eye AF: Automatic eye focus for remote shooting.
- Electronic ND Filter: Seamless ND control for consistent exposure.
- Breathing Compensation: Suppresses focus shift for smooth focus pulls.
- Multi-Camera Control: Operate up to 100 cameras remotely.
- 12G SDI & HDMI Output: Versatile video output for live production.
- PoE++ Power: Powered via Ethernet for simplified cabling.
- RTSP/NDI®|HX/SRT Streaming: Supports multiple streaming protocols for live production.
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- Description
- Specifications
- Notes
- In The Box
- Reviews (0)
Description
Description
FR7 Cinema Line Full-frame PTZ Camera
Capture the World from New Angles
Remote Control for Creative Camera Placement
With its integrated, remotely controllable pan and tilt mechanism, the FR7 offers the flexibility to mount it on the ceiling or in other out-of-the-way locations. You can follow your subjects or instantly recall pre-composed shot framings, unlocking unprecedented creative potential.
Innovative Remote Control
A newly developed Web App grants you easy access via QR code or URL input, allowing you to set up the FR7 from a tablet or PC through a web browser. Alternatively, you can use the optional Remote Control Panel (RCP), Master Setup Unit (MSU), or RM-IP500 devices for precise joystick-controlled pan, tilt, and zoom operations.
Advanced Technology for Cinematic Expression
The FR7, bearing the Cinema Line name, incorporates key features that support cinematic expression. It is the first pan, tilt, and zoom (PTZ) camera to feature a back-illuminated 35mm full-frame CMOS image sensor. The BIONZ XR™ processor further enhances image quality, providing high sensitivity, smooth gradations, and true-to-life color.
Limitless Creativity with E-Mount Lenses
Thanks to its E-mount, the FR7 is compatible with all Sony E-mount lenses, including the exceptional G Master series. These lenses are renowned for their stunning resolution and beautiful bokeh. With focal lengths ranging from 12 mm to 1200 mm, the camera offers complete creative control.
Superb Cinematic Imagery:
Cinema Line Image Quality
As part of the Cinema Line, the FR7 delivers high-quality cinematic images, providing both Custom and Cine EI modes. These modes help you adjust the camera’s operation to match your workflow while maintaining consistency with other Cinema Line cameras.
Staggering Latitude for Powerful Expression
The FR7 provides an impressive 15+ stops of latitude, preventing blown highlights and crushed shadows. In Cine EI mode, you can set the base sensitivity to either ISO 800 or ISO 12800, ensuring a consistent look across different lighting conditions.
Astounding Image Quality in Low Light
The FR7 excels in low light, using its sensor size and high sensitivity to deliver cleaner images. You can expand ISO up to 409600, perfect for shooting in extremely low light environments, such as live concerts.
Slow Motion for Extensive Creative Possibilities
With smooth 5x slow-motion capabilities, the FR7 opens up extensive creative possibilities. You can capture footage at up to 120 fps in 4K resolution or up to 240 fps in full HD, allowing for clearer and more dramatic moments.
4K 60p 4:2:2 10-bit Output
The FR7 supports high-quality output via HDMI and SDI OUT connectors. This feature allows you to record in Apple ProRes 422 or Avid DNxHR® format at 4K 60p 4:2:2 10-bit with compatible external recorders.
Support for S-Log3/S-Gamut3
With the optional S-Log3 gamma curve and S-Gamut3.Cine, the FR7 captures the full color gamut and dynamic range of the sensor. This feature retains crucial information in both highlights and shadows, giving you greater flexibility in post-production.
All-Intra Recording for Precise Motion Capture
The FR7 enables 4K internal recording with 10-bit depth and 4:2:2 color sampling, using All-Intra and Long-GOP compression. This ensures you can push color grades further while retaining natural gradation for true editing freedom.
An Instant Cinematic Look with S-Cinetone™
S-Cinetone™ delivers the natural mid-tones essential for healthy-looking skin, with soft colors and gorgeous highlights. With this feature, you can create beautiful cinematic images directly in-camera without the need for extensive color grading.
Express Your Vision with E-Mount Lenses
Sony’s E-mount supports high-quality lenses, including the G Master series. These lenses offer stunning resolution and softly dissolving bokeh, giving you complete creative control with focal lengths ranging from 12 mm to 1200 mm.
Exquisite, Impressive Bokeh
Thanks to the FR7’s full-frame sensor and Sony’s extraordinary lens lineup, you can create expressive bokeh effects with a shallow depth of field—something other PTZ cameras can’t achieve. Using a prime lens such as an F1.2 lens allows for cinematic visual effects, where the subject stands out dramatically from the background.
Compatible with Third-Party Lens Controllers
You can control the zoom operation of manual zoom lenses through the Web App, RM-IP500, or infrared remote control by connecting a compatible third-party lens controller. Even telephoto zoom lenses that don’t support power zoom can be operated remotely.
The Advantages of Sony’s Lenses for Video Shooting
To enhance your video creation, Sony’s lenses provide four key advantages. The combination of these lenses and the FR7 enhances your ability to capture stunning visuals.
Lens Support Rods
The FR7 includes two lens rods beneath the camera head, allowing you to attach standard 15 mm rod-mountable accessories.
Explore the Possibilities with Remote PTZ:
Smooth Pan, Tilt, and Zoom Operation
The FR7 features smooth pan, tilt, and zoom functionality, all remotely controlled or recalled to preset positions. The pan angle range extends from -170° to +170°, while the tilt angle range spans from -30° to +195° when used in a normal upright orientation.
A Full-Featured Dedicated Web App
With the FR7’s new Web App, you can use a tablet or computer’s web browser to pan, tilt, zoom, focus, record, and adjust all camera settings. You can also access cameras mounted in hard-to-reach locations with ease, using each camera’s unique QR code. The Web App’s menu format is identical to that of the FX6, ensuring intuitive operation.
High-Performance Remote Controller RM-IP500
Pair the FR7 with Sony’s RM-IP500 remote controller for precise joystick-controlled pan, tilt, and zoom operations. The speed adjustment knobs let you control pan, tilt, zoom, and focus at varying speeds, depending on your subject and setting. Zoom control is available via the joystick or a seesaw lever.
Professional Control via S700PTP Protocol
The FR7 also supports control through the S700PTP protocol via Ethernet, enabling it to be controlled by Sony’s Remote Control Panel (RCP) and Master Setup Unit (MCU). This provides high-level control for multi-camera systems that combine the FR7 with Sony’s BRC series PTZ cameras and system cameras.
Free-D Protocol for VR/AR Systems
The FR7 Ver.2.0 supports “free-d” output, which provides pan/tilt/zoom, focus, and iris tracking information along with the synchronizing signal. This feature allows easy connection to VR/AR systems for video production, broadcasting, and live events.
Multi-Camera Shooting with the FR7
The FR7 supports multi-camera production with minimal staff. You can use a single RM-IP500 remote control unit to manage up to 100 FR7 cameras (10 groups of 10 cameras).
Multi-Camera Shooting with Professional Cameras
The FR7 Ver.2.0 introduces the “709tone” look, which matches the spectral characteristics of Sony professional cameras. You can easily select this look via the Web App, simplifying camera setup.
Fine-Tuned Control Over Camera Movement
Pan and tilt speeds can be continuously adjusted from 0.02 degrees per second to 60 degrees per second. This allows flexible subject tracking and adapts to different production scenarios.
Up to 100 Preset Camera Positions
The FR7, with the supplied remote controller, dedicated Web App, and RM-IP500, can store up to 100 camera presets. You can recall presets with the touch of a button.
PTZ Trace for Highly Repetitive Camera Framing
The FR7 Ver.2.0 can record camera framing operations and replay them at the touch of a button. Up to 16 operation patterns can be stored for up to 180 seconds.
Reliable Autofocus for Remote Shooting
The FR7 locks onto fast-moving subjects quickly, even in low light, using 627 selectable phase-detection AF points and the powerful BIONZ XR processor.
Real-Time Tracking for Remote Shooting
With the FR7’s Web App, Touch Tracking activates autofocus on your chosen subject. This feature includes Real-Time Tracking, enhancing professional and efficient production.
Real-Time Eye AF for Remote Shooting
The BIONZ XR processor powers the FR7’s reliable AF performance. It can track an eye, even when subjects look up or down at a steep angle.
Electronic Variable ND Filter for Smooth Remote Operation
The built-in electronic variable ND filter allows you to control exposure from a distance. It adjusts smoothly from 1/4 to 1/128, making it easy to control depth of field while maintaining consistent exposure.
Breathing Compensation
The FR7 includes Breathing Compensation, which minimizes unwanted changes in angle of view. With compatible lenses, the angle of view stays consistent even during focus transitions, allowing for smooth and dramatic effects.
Tally Lights to Facilitate Multi-Camera Production
The FR7’s red and green tally lights indicate which camera is active (on-air) and which is in preview. This makes multi-camera setups more efficient.
Supplied Infrared Remote Controller
The infrared remote controller included with the FR7 controls pan, tilt, zoom, focus, and recording (with preset options available). It also handles playback functions.
Dedicated Ceiling Mount Bracket CIB-PCM1
The FR7 is compatible with the CIB-PCM1 ceiling mount bracket for easy overhead setup. When mounted upside down, the Web App automatically flips the control directions, ensuring natural operation.
Outstanding Connectivity
The FR7 provides excellent connectivity for video output, IP streaming, and synchronization. You can use HDMI or SDI video outputs for monitoring and recording, while one LAN cable supports camera control, video/audio transfer, and power supply.
Connecting to External Devices
The FR7 allows you to easily connect external devices for timecode synchronization, tally light control, and multi-camera setup coordination.
Power Supply Options
Power the FR7 with an external PoE++ device through a network cable or connect it via the supplied AC adaptor. The rear cord clamp prevents accidental disconnection.
IP Streaming Support for Multiple Protocols
The FR7 supports various streaming protocols, including RTSP, SRT, and NDI®|HX2, making it easy to stream high-quality, low-latency video over unstable networks or via compatible devices like media servers.
Sony and the Environment:
A Zero Environmental Footprint Goal
Sony is committed to achieving a zero environmental footprint by 2040. Through numerous initiatives, Sony is reducing its environmental impact, ensuring a sustainable future for creators.
Explore our other modules for Sony PTZ cameras to enhance your setup and performance like (Sony BRC-X400 4K PTZ Camera , Sony BRC-H800 HD PTZ Camera , Sony BRC-X1000 4K PTZ , Sony BRC-AM7 4K 60p PTZ Camera)
Specifications
General | ||
LENS MOUNT | E-mount | |
Size & Weight | ||
WEIGHT (MAIN UNIT ONLY) (approx.) | Approx. 4.6 kg (10 lb 2.3 oz.) (body only) | |
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.) | Approx. 227 x 289 x 233 mm (9 x 11 1/2 x 9 1/4 inch) (body without protrusions) | |
Power | ||
POWER REQUIREMENTS | DC 19.5 V, PoE++ (IEEE802.3bt Type 4 Class 8 compliant) 41.1 V~57.0 V | |
POWER CONSUMPTION | ≦80 W (DC 19.5 V) / ≦71.3 W (PoE++) | |
Operation | ||
OPERATING TEMPERATURE | 0 °C to 40 °C (32 °F to 104 °F) | |
STORAGE TEMPERATURE | -20 °C to +60 °C (-4 °F to +140 °F) | |
CEILING MOUNT | Yes (with Ceiling Bracket option) | |
TALLY LAMP | Left (x1)/Right (x1), Red/Green | |
Recording Format (Video) | ||
XAVC INTRA | XAVC-I DCI4K 59.94p mode: VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 25p mode:CBG, MAX bit rate 112 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 23.98p mode:CBG, MAX bit rate 89 Mbps, MPEG-4 AVC/H.264 | |
XAVC LONG | XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC, XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC, XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC, XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC | |
Recording Format (Audio) | ||
RECORDING FORMAT (AUDIO) | LPCM 24 bits, 48 kHz, 4 channels | |
Recording Frame Rate | ||
XAVC INTRA | XAVC-I DCI4K mode:4096 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p, 24p, XAVC-I QFHD mode:3840 x 2160/59.94p, 50P, 29.97p, 23.98p, 25p, XAVC-I HD mode:1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p | |
XAVC LONG | XAVC-L QFHD mode:3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p, XAVC-L HD 50 mode:1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p, XAVC-L HD 35 mode:1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p | |
Recording/ Playback Time | ||
XAVC INTRA | XAVC-I DCI4K/QFHD 59.94p When using CEA-G160T (160 GB) Approx. 30 minutes When using CEA-G80T (80 GB) Approx. 15 minutes, XAVC-I DCI4K/QFHD 50p When using CEA-G160T (160 GB) Approx. 36 minutes When using CEA-G80T (80 GB) Approx. 17 minutes, XAVC-I DCI4K/QFHD 29.97p When using CEA-G160T (160 GB): Approx. 60 minutes When using CEA-G80T (80 GB) Approx. 29 minutes, XAVC-I DCI4K/QFHD 25p When using CEA-G160T (160 GB): Approx. 71 minutes When using CEA-G80T (80 GB) Approx. 35 minutes, XAVC-I DCI4K 24p When using CEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80T (80 GB) Approx. 36 minutes, XAVC-I DCI4K/QFHD 23.98p When using CEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80T (80 GB) Approx. 36 minutes, XAVC-I HD 59.94p When using CEA-G160T (160 GB): Approx. 78 minutes When using CEA-G80T (80 GB) Approx. 38 minutes, XAVC-I HD 50p When using CEA-G160T (160 GB): Approx. 78 minutes When using CEA-G80T (80 GB) Approx. 38 minutes, XAVC-I HD 29.97p When using CEA-G160T (160 GB): Approx. 150 minutes When using CEA-G80T (80 GB) Approx. 74 minutes, XAVC-I HD 25p When using CEA-G160T (160 GB): Approx. 150 minutes When using CEA-G80T (80 GB) Approx. 74 minutes, XAVC-I HD 23.98p When using CEA-G160T (160 GB): Approx. 185 minutes When using CEA-G80T (80 GB) Approx. 91 minutes, | |
XAVC LONG | XAVC-L QFHD 29.97p/25p/23.98p When using CEA-G160T (160 GB): Approx. 170 minutes When using CEA-G80T (80 GB) Approx. 86 minutes, XAVC-L QFHD 59.94p/50p When using CEA-G160T (160 GB): Approx. 115 minutes When using CEA-G80T (80 GB) Approx. 57 minutes, XAVC-L HD 50 /29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB): Approx. 320 minutes When using CEA-G80T (80 GB) Approx. 155 minutes, XAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB): Approx. 430 minutes When using CEA-G80T (80 GB) Approx. 210 minutes | |
PROXY AUDIO | XAVC Proxy: AAC-LC, 128 kbps, 2 channels | |
PROXY VIDEO | XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920 x 1080, 9 Mbps | |
Camera Section | ||
SENSOR TYPE | 35 mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor | |
PIXELS | Approx. 12.9 megapixels (total), Approx. 10.3 megapixels (effective) | |
BUILT-IN OPTICAL FILTERS | Clear, linear variable ND (1/4ND to 1/128ND) | |
SENSITIVITY | ISO 800/12800 (Cine EI mode, D55 Light source) | |
SHUTTER SPEED | 64 frame to 1/8000 sec. | |
Slow & Quick Motion | ||
XAVC-I | 4096 x 2160: 1 to 60 frames (59.94/50/29.97/25/24/23.98) | |
XAVC-I/L | 3840 x 2160: 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98), 1920 x 1080: 1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94/50/29.97/25/23.98) | |
White Balance | ||
WHITE-BALANCE MODES | Preset, Memory A (2000K-15000K)/ATW | |
Exposure | ||
GAIN CONTROL | -3 to 30 dB (every 1dB), AGC | |
Gamma | ||
GAMMA CURVE | SDR Mode: S-Cinetone, Standard, Still, ITU709, 709tone1 / HDR mode : HLG_Live, HLG_Natural | |
Latitude | ||
Latitude | 15+ stop | |
Focus System | ||
Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) | |
FOCUS POINT | 627 points | |
FOCUS AREA | Wide / Zone / Flexible Spot | |
OTHER FOCUS FEATURES | Eye AF (Human), Real-time Tracking AF, AF Subj. Shift Sensitivity, AF Transition Speed, Face detection (Face/Eye Priority, Face/Eye Only AF ) | |
Pan/Tilt | ||
PAN/TILT ANGLE | Pan: -170 deg.~170 deg., Tilt: -30 deg.~195 deg., | |
PAN/TILT SPEED | Pan: 0.02 deg.~60 deg./s, Tilt: 0.02deg.~60 deg./s | |
PAN/TILT OPERATION NOISE | NC35 or less | |
Other Features | ||
PRESET POSITION | 100 | |
PAN/TILT/ZOOM SYNC | Yes1 | |
PAN/TILT/ZOOM TRACE | 161 | |
CLEAR IMAGE ZOOM | QFHD/4K: 1.5x, HD: 2x | |
WebAPP | ||
SUPPORTED OPERATION SYSTEMS | Windows 10 or later, macOS 10.15 or later, iPadOS 15 or later, Android 12 or later | |
SUPPORTED WEB BROWSERS | Windows: Google Chrome, Mac: Google Chrome/Safari, iPad: Google Chrome/Safari, Android: Google Chrome | |
Interface | ||
TC INPUT/TC OUTPUT | BNC (x1), TC IN only | |
AUDIO INPUT | XLR-type 5-pin (female) (x1) line/mic/mic +48 V selectable, Mic Reference: -30 to -80 dBu | |
SDI OUTPUT | BNC (x1), 12G-SDI, 6G-SDI, 3G-SDI(Level A/B), HD-SDI | |
HDMI OUTPUT | Type-A connector (x1) | |
DC INPUT | DC jack (x1) | |
IR REMOTE CONTROL | Yes | |
GENLOCK INPUT | BNC (x1), 1.0 Vp-p, 75 Ω | |
REMOTE | RJ-45(OPTION) (x1), Red Tally IO/Green Tally IO, 3rd paty lens controllers IO1 | |
OPTICAL OUTPUT | SFP+ compliant 2 | |
NETWORK | RJ-45(LAN) (x1), 1000BASE-T | |
Output Format | ||
SDI | 4096 x 2160: 59.94p, 50p, 29.97p, 25p, 24p, 23.98p / 3840 x 2160: 59.94p, 50p, 29.97p, 25p, 23.98p / 1920 x 1080 : 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, 24p, 23.98p, 29.97PsF, 25PsF | |
HDMI | 4096 x 2160: 59.94p, 50p, 29.97p, 25p, 24p, 23.98p / 3840 x 2160: 59.94p, 50p, 29.97p, 25p, 23.98p / 1920 x 1080: 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, 24p, 23.98p / 720 x 480: 59.94p / 720 x 576: 50p | |
Media | ||
MEDIA TYPE | CFexpress Type A / SD card (x2) | |
Network/IP Streaming | ||
PROTOCOLS (IPv6) | TCP, UDP, ICMPv6, HTTP, HTTPS, DHCPv6, DNS, mDNS, RTP/RTCP, RTSP, SRT, FTP, FTPS | |
PROTOCOLS (IPv4) | TCP, UDP, ARP, ICMP, HTTP, HTTPS, DHCP, DNS, mDNS, RTP/RTCP, RTSP, VISCA over IP, SRT, NDI|HX, FTP, FTPS, S700PTP3, RTMP1, RTMPS1 | |
VIDEO RESOLUTION | 4096 x 2160, 3840 x 2160, 2048 x 1080, 1920 x 1080, 1280 x 720, 640 x 360 | |
COMPRESSION FORMAT | H.264: High/Main/Baseline Profile, H.265: Main/Main10 Profile | |
MAXIMUM FRAME RATE | H.264/H.265: 59.94fps | |
BITRATE CONTROL MODE | CBR/VBR | |
BITRATE SETTING | 512 Kbps~80 Mbps | |
NDI|HX CAPABILITY | Yes, optional | |
CAMERA TRACKING DATA | free-d Type D0/D1 |
Notes
- Version 1.1 or above is required.
- Sold separately.
- Some lenses are not compatible with pan and tilt operation.
- With the SEL20TC teleconverter.
- Optical zoom and Clear Image Zoom are both available when a compatible electronic power zoom lens is used. Only Clear image Zoom is available when a prime lens or a zoom lens that does not feature power zoom is used.
- The pan and tilt preset function is not available when Clear Image Zoom is ON. Maximum Clear Image Zoom magnification is 1.5x when recording QFHD/4K, and 2x when recording HD.
- Only available with lenses that support Breathing Compensation. Angle of view and image quality may change slightly. Full compensation may not be possible with all lenses. This function is not available when Distortion Comp. is OFF, the S&Q mode is in use, or the recording format is set to RAW or any format that includes RAW.
- RM-IP500 software version 2.2 or later required. The RM-IP500 connects to FR7 cameras via VISCA over IP (LAN). Use the FR7 A-panel overlay sheet included with the RM-IP500 for optimum operating efficiency.
- CFexpress Type B memory cards are not supported. Recording and playback are not possible when powered via PoE++.
- Conforms to IEEE802.3bt (Type 4, Class 8). Internal recording and playback are not available when PoE++ power is used.
- NDI® is a registered trademark of Vizrt NDI AB.
- Version2.0 or later is required.
- Video is same as SDI, video output only.
- Need to attach a license.
In The Box
In The Box
- Sony FR7 Cinema Line PTZ Camera
- RMT-RC1 Remote Commander
- Lens Mount Cap for Body
- AC Adapter
- Power Cord
- HDMI Cable Clamp
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