









Sony FR7 Cinema Line PTZ Camera Full Frame
35.599,00 AED ex. VAT
37.378,95 AED inc. VAT
- PTZ camera with a 35mm full-frame back-illuminated CMOS sensor, BIONZ XR processing, and 15+ stop latitude
- 4K 120fps internal recording with 4:2:2 10-bit depth, All-Intra or Long-GOP to dual CFexpress Type A/SDXC slots
- Fast Hybrid AF with 627 phase-detection points, Real-time Eye AF, and Breathing Compensation for remote shooting
- Up to 100 cameras remotely operated via optional RM-IP500 with tally lights for multi-camera productions
- 12G-SDI, HDMI, electronic variable ND (1/4–1/128), S-Log3/S-Gamut3, and S-Cinetone color science
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- Description
- Specifications
- In The Box
- Reviews (0)
Description
FR7 Full Frame PTZ Camera
The Sony ILME-FR7 is the world’s first PTZ camera to feature a full-frame sensor. It combines a 35mm back-illuminated CMOS sensor with approximately 10.3 effective megapixels and the BIONZ XR image processing engine. As a result, it delivers superb image quality with high sensitivity, smooth gradations, true-to-life color, and low noise — all in a pan, tilt, and zoom form factor.
Extraordinary Dynamic Range and Low Light
The FR7 offers 15+ stop latitude to protect highlights and shadows in any scene. In Cine EI mode, base sensitivity is selectable at ISO 800 or ISO 12800. In extreme low light, ISO expands to 409600 for clean and usable images. S-Log3 and S-Gamut3.Cine capture the full dynamic range of the sensor and simplify matching with other Cinema Line cameras in post. S-Cinetone also delivers cinematic images straight out of camera, with natural mid-tones, healthy-looking skin, soft colors, and gorgeous highlights.
4K 120fps and Professional Recording
The FR7 supports internal 4K 120fps recording for smooth 5x slow motion. It records to dual CFexpress Type A/SDXC slots at 10-bit 4:2:2 with All-Intra or Long-GOP compression, supporting Sony’s latest VPG400 CFexpress Type A cards for sustained high frame and high bitrate performance. Via HDMI and SDI outputs, it delivers clean 4K 60p 4:2:2 10-bit for Apple ProRes 422 or Avid DNxHR recording with compatible external recorders. The 12G-SDI BNC output supports 12G, 6G, 3G, and HD-SDI signals, plus RAW output with the appropriate setting. An optional SFP+ module also converts the SDI output to optical format for low-loss transfer over long distances.
Fast Hybrid AF and Smart Exposure
Fast Hybrid AF uses 627 selectable phase-detection AF points for reliable tracking in low light, shallow depth of field, and remote shooting. Real-time Eye AF keeps pinpoint eye focus automatically, even when the subject looks up or down at steep angles. The built-in electronic variable ND filter adjusts seamlessly from 1/4 to 1/128 remotely, keeping aperture and depth of field consistent. Breathing Compensation suppresses unwanted angle-of-view shifts during focus pulls with compatible lenses.
Full PTZ Control and Presets
The FR7 supports up to 100 camera position presets covering direction, zoom, and focus, recallable via the supplied infrared remote controller, the FR7 Web App, or the optional RM-IP500. Furthermore, the RM-IP500 allows up to 100 cameras — in 10 groups of 10 — to be operated remotely by a small number of staff. Tally lights support multi-camera productions, with a red light indicating the on-air camera and a green light indicating the camera in preview.
Connectivity and Audio
The FR7 features a 12G-SDI BNC output, HDMI Type A output with clean or status-overlaid options, dual CFexpress Type A/SDXC media slots, and an XLR 5-pin stereo connector for external microphones or audio devices receiving CH-1 and CH-2 via a single connector.
Key Features
- World’s first PTZ camera with 35mm full-frame back-illuminated CMOS sensor
- Approximately 10.3 effective megapixels with BIONZ XR processing
- 15+ stop latitude with Cine EI base ISO at 800 or 12800
- ISO expandable to 409600 for extreme low light shooting
- 4K 120fps internal recording for smooth 5x slow motion
- 4:2:2 10-bit All-Intra or Long-GOP to dual CFexpress Type A/SDXC slots
- 4K 60p 4:2:2 10-bit clean output via HDMI and SDI for Apple ProRes 422 or Avid DNxHR
- S-Log3/S-Gamut3.Cine for maximum dynamic range and Cinema Line camera matching
- S-Cinetone for cinematic color straight out of camera
- Fast Hybrid AF with 627 phase-detection points
- Real-time Eye AF with steep-angle subject tracking
- Electronic variable ND filter from 1/4 to 1/128 with remote control
- Breathing Compensation for smooth focus effects with compatible lenses
- Up to 100 camera position presets via remote controller or Web App
- Optional RM-IP500 controls up to 100 cameras remotely
- Red and green tally lights for multi-camera production workflows
- 12G-SDI BNC output supporting 12G/6G/3G/HD-SDI and RAW output
- Optional SFP+ module for optical SDI output over long distances
- HDMI Type A output — clean or status-overlaid
- XLR 5-pin stereo connector for external audio input
- Dual CFexpress Type A/SDXC slots with VPG400 card support
| Features | Specifications Overview |
|---|---|
| Sensor Type | 35 mm Full Frame (35.6 x 23.8 mm) Exmor R CMOS Sensor |
| Lens Mount | Sony E-mount |
| Pixels | Total: Approx. 12.9 Megapixels Effective: Approx. 10.3 Megapixels |
| Latitude | 15+ Stops |
| Sensitivity / ISO | ISO 800 / 12800 (Cine EI Mode, D55 Light Source) |
| Built-in Optical Filters | Clear, Linear Variable ND (1/4ND to 1/128ND) |
| Shutter Speed Range | 64 Frame to 1/8000 Sec. |
| Gamma Curves | SDR Mode: S-Cinetone, Standard, Still, ITU709, 709tone1 HDR Mode: HLG_Live, HLG_Natural |
| Focus System | Type: Fast Hybrid AF (Phase-detection / Contrast-detection) Points: 627 Focus Points Area: Wide / Zone / Flexible Spot Advanced Features: Eye AF (Human), Real-time Tracking AF, AF Subject Shift Sensitivity, AF Transition Speed, Face Detection (Face/Eye Priority, Face/Eye Only AF) |
| Pan / Tilt Performance | Angle Range: Pan: -170° to +170°  | Tilt: -30° to +195° Speed Operational: Pan: 0.02° to 60°/s  | Tilt: 0.02° to 60°/s Acoustic Noise: NC35 or less Presets & Tracking: 100 Preset Positions  | 16 Tracking Traces  | PTZ Auto Framing Support  | Pan/Tilt/Zoom Sync |
| Video Compression Formats | XAVC Intra (DCI 4K / QFHD / HD): MPEG-4 AVC/H.264 Â |Â Maximum Bitrate up to 600 MbpsXAVC Long (QFHD / HD): MPEG-4 H.264/AVC Â |Â Bitrate up to 150 Mbps |
| Recording Frame Rates | DCI 4K (4096 x 2160): 59.94p, 50p, 29.97p, 25p, 24p, 23.98p QFHD (3840 x 2160): 59.94p, 50p, 29.97p, 25p, 23.98p HD (1920 x 1080): 59.94p, 50p, 29.97p, 25p, 23.98p |
| Slow & Quick Motion (S&Q) | 4096 x 2160 (XAVC-I): 1 to 60 Frames 3840 x 2160 (XAVC-I/L): 1 to 120 Frames 1920 x 1080 (XAVC-I/L): 1 to 240 Frames |
| Audio Format | Linear PCM (24-bit, 48 kHz, 4 Channels) |
| Proxy Options | Video: XAVC Proxy AVC/H.264 High Profile 4:2:0 Long GOP (1920×1080 @ 9 Mbps) Audio: AAC-LC (128 kbps, 2 Channels) |
| Storage Media Slots | Dual Slots (x2): CFexpress Type A / SD Card Compatibilities |
| Streaming Protocols | IPv4: TCP, UDP, ARP, ICMP, HTTP, HTTPS, DHCP, DNS, mDNS, RTP/RTCP, RTSP, VISCA over IP, SRT, NDI|HX, FTP, FTPS, NTP, S700PTP, RTMP, RTMPS, TSL5.0, PTP-IP over SSH, SSDP IPv6: TCP, UDP, ICMPv6, HTTP, HTTPS, DHCPv6, DNS, mDNS, RTP/RTCP, RTSP, SRT, FTP, FTPS, NTP |
| Network Streaming Specs | Streaming Resolutions: 4096×2160, 3840×2160, 2048×1080, 1920×1080, 1280×720, 640×360 Video Compression: H.264 (High/Main/Baseline), H.265 (Main/Main10) Bitrate Range: 512 Kbps to 80 Mbps (CBR/VBR Options)  | Max Framerate: 59.94 fps Metadata Integration: Free-d, OpenTrackIO Tracking Data  | NDI|HX Ready |
| Hardware Connectivity | SDI Output: 1 x BNC (12G-SDI, 6G-SDI, 3G-SDI Level A/B, HD-SDI) HDMI Output: 1 x Type-A Connector Audio Input: 1 x XLR-type 5-pin Female (Line/Mic/Mic +48 V Selectable) Timecode Input/Output: 1 x BNC (TC Input Only) Genlock Interface: 1 x BNC (1.0 Vp-p, 75 Ω) Network Interface: 1 x RJ-45 LAN (1000BASE-T) Remote Interface: 1 x RJ-45 Option Slot (Red/Green Tally IO, 3rd Party Lens Controller Support) Optical Output Port: SFP+ Compliant Power Inputs: 1 x DC Jack Input |
| Web Remote Control | OS Platforms: Windows 11+, macOS 12+, iPadOS 17+, Android 12+ Supported Browsers: Google Chrome, Apple Safari |
| Clear Image Zoom | QFHD/4K: 1.5x Zoom Scale  | HD: 2x Zoom Scale |
| Tally Indicators | Dual Lights: Left (x1) / Right (x1) — Color Response: Red / Green |
| Physical & Power Specifications | |
| Power Input Requirements | DC Power Jack: 19.5 V Input PoE++ Option: IEEE802.3bt Type 4 Class 8 Compliant (41.1 V to 57.0 V Range) |
| Power Draw Performance | ≤ 80 W (DC 19.5 V Powering)  | ≤ 71.3 W (PoE++ Operation) |
| Chassis Form Measurements | Approx. 227 x 289 x 233 mm (9 x 11.5 x 9.25 Inches) *Main hardware frame without protrusions |
| Chassis Net Weight | Approx. 4.6 kg (10 lb 2.3 oz.) *Main camera housing base only |
| Environmental Thresholds | Operational Window: 0 °C to 40 °C (32 °F to 104 °F) Storage Window: -20 °C to +60 °C (-4 °F to +140 °F) |
| Mounting Architecture | 1/4″-20 Installation Options  | Ceiling Mount Configurations Supported via optional brackets |
- Sony FR7 Cinema Line PTZ Camera
- RMT-RC1 Remote Commander
- Lens Mount Cap for Body
- AC Adapter
- Power Cord
- HDMI Cable Clamp
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