FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera
FX3 Cinema Line Full-frame camera

Sony FX3A Cinema Line Full-Frame Camera Body

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14.310,00 AED ex. VAT
15.025,50 AED inc. VAT

  • Image sensor with blazingly fast readout speed
  • High performance image-processing engine
  • High sensitivity, wide dynamic range
  • Acclaimed cinematic colour with S-Cinetone™
  • 4K High Frame Rate 120fps recording
  • 16-bit RAW data output
  • Fast Hybrid AF for dependable focus during movie shooting
SKU: ILME-FX3A Categories: , Tags: , ,

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Description

FX3A Full-Frame Camera

Sony’s FX3A Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today’s creative community. Compact and lightweight, it’s easy to carry and handle.

  • Beautiful Pictures Deserve Sound to Match: Light, compact and easy to use, the UWP-D brings crisp, dependable audio to all content creators.
  • LUT Library: Look-up tables from Sony and third-parties for on-set monitoring and color grading.
  • Full-frame image capture even in dim light: The FX3A’s full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600.
  • Wide dynamic range, wider creative expression: The FX3A offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.
  • Stunning bokeh and full-frame creativity: Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.

Features:

  1. Cinematic color science S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3A for cinematic expression. It’s precisely tuned to meet the requirements of today’s content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.
  2. 4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3A’s high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).
  3. 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.
  4. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolutionز
  5. Enjoy rich detail and realistic color The FX3A is capable of 4K internal recording, 10-bit depth and 4:2:2 color sampling with All Intra on top of Long-GOP compression. This makes it possible to push your color grades further while still retaining natural gradation, for true editing freedom.
  6. Compensation for focus breathing With the breathing compensation function turned on, the camera allows you to shoot movies with more stable images when you used with compatible lenses. The breathing metadata can also be recorded so that you can apply compensation with the latest Catalyst Browse/Prepare Plugin software during post-production.
  7. The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame.  The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD).
  8. Sophisticated tracking AF for steady focus: Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony’s unique AI-based subject recognition algorithms.
  9. Smooth transitions and touch focus control: The FX3A includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.
  10. High-mobility performance wherever you go: With its compact size and light weight, the FX3A is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.
  11. Attachable XLR handle: A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.
  12. In-camera image stabilization: Active Mode is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.
  13. Image stabilisation and easier editing with Catalyst: Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony’s Catalyst Browse / Catalyst Prepare desktop application you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.

 

Additional Features:

  1. Front and rear tally lamps: Tally lights on the front and rear of the FX3A indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.
  2. Vari-angle LCD touch-panel monitor: The 3.0-type (2.36 million-dot) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.
  3. Essential controls for efficient solo shooting: In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.
  4. Uninterrupted 4K/60p recording: For uninterrupted 4K/60p recording, the FX3ِA is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.
  5. Dual high-speed media slots:  Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera’s slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.
  6. Wireless monitoring and remote control: Connecting a smartphone or tablet to the camera with the Monitor & Control app enables wireless monitoring, high-precision exposure adjustment, and focus control on a larger screen.
  7. Upload videos to the could or your smartphone: Creators’ App is a smartphone application that allows you to connect your Sony camera to the cloud, enhancing functionality and convenience for shooting and sharing.

General

CAMERA TYPE
Interchangeable lens digital camera
LENS MOUNT
E-mount

Size & Weight

WEIGHT (MAIN UNIT ONLY) (approx.)
715 g (1 lb 9.3 oz) (with battery and memory card included), 630 g (1 lb 6.3 oz) (body only)
WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.)
1.015 kg　(2 lb 3.8 oz) (with XLR Handle, battery pack, SD card)
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.)
129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions)

Power

POWER CONSUMPTION
[Movie] Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), [Still image] Approx. 3.5W (with FE 28-70mm F3.5-5.6 OSS lens attached)
BATTERY OPERATING TIME
Approx. 95 min (Actual recording, CIPA standard) , Approx. 135 min (Continuous recording, CIPA standard), Approx. 570 shots (still images, CIPA standard)

Recording Format (Video)

XAVC HS
[XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265
XAVC S
[XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264,
XAVC S-I
[XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264,
XAVC S-I DCI
[XAVC S-I DCI 4K] XAVC S-I DCI 4K 59.94p 600 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 50p 500 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 29.97p 300 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 25p 250 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I DCI 4K 23.98p/24.00p 240 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264

Recording Format (Audio)

RECORDING FORMAT (AUDIO)
LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch (48kHz 24bit), MPEG-4 AAC-LC 2ch

Recording Frame Rate

XAVC HS
[XAVC HS 4K] 3840×2160/119.88p, 100p, 59.94p, 50p, 23.98p
XAVC S
[XAVC S 4K] 3840×2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S HD] 1920×1080/59.94p, 50p, 29.97p, 25p, 23.98p
XAVC S-I
[XAVC S-I 4K] 3840×2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920×1080/59.94p, 50p, 29.97p, 25p, 23.98p
XAVC S-I DCI
[XAVC S-I DCI 4K] 4096×2160/59.94p, 50p, 29.97p, 25p, 23.98p, 24.00p

Slow & Quick Motion

XAVC HS
XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
XAVC S
XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
XAVC S-I
XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps,　50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
XAVC S-I DCI
XAVC S-I DCI 4K: 24.00p: 1fps, 2fps, 3fps, 6fps, 12fps, 24fps, 48fps, [NTSC mode] 59.94p/29.97p/23.98p: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, [PAL mode] 50p/25p: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps

Recording/ Playback Time

XAVC HS
[XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80GB) Approx. 75 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80GB) Approx. 95 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80GB) Approx. 140 minutes
XAVC S
[XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80GB) Approx. 130 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80GB) Approx. 210 minutes
XAVC S-I
[XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes
XAVC S-I DCI
[XAVC S-I DCI 4K] 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes
PROXY AUDIO
XAVC Proxy: AAC-LC, 128kbps, 2 channels
PROXY VIDEO
[XAVC HS HD] MPEG-H HEVC/H.265 1920 x 1080 4:2:0 10bit 16Mbps, 1920 x 1080 4:2:0 10bit 9Mbps, [XAVC S HD]MPEG-4 AVC/H.264 1280 x 720 4:2:0 8bit 6Mbps

RAW Output

RAW Output
HDMI: 4264 x 2408 (59.94p/50p/29.97p/25p/23.98p), 16bit

Other Video Function

VIDEO FUNCTIONS
Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector

Camera Section

SENSOR TYPE
35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
PIXELS
Approx. 10.3 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)
SENSITIVITY
[Movie] ISO 80-102400 equivalent (Expandable to ISO 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400 (Expandable to ISO 40- 409600), AUTO (ISO 80-12800, selectable lower limit and upper limit)
SHUTTER SPEED
Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 sec, Bulb

White Balance

WHITE-BALANCE MODES
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

Gamma

GAMMA CURVE
Off / PP1-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

Latitude

Latitude
15+ stop (S-Log3)

Focus System

Type
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
FOCUS POINT
[Movie] 627 points, [Still image] 35mm full frame: 759 points (phase-detection AF)
SENSITIVITY RANGE
EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)
FOCUS MODE
[Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
FOCUS AREA
[Movie] Wide / Zone / Center Fix / Spot / Expanded Spot [Still image] Wide / Zone / Center Fix / Spot / Expanded Spot / Tracking
OTHER FOCUS FEATURES
Eye AF ([Movie] Human (Right/Left Eye Select, [Still image] Human (Right/Left Eye Select) / Animal), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still] AF Track Sens., Face detection (Face Priority in AF), Face Priority in Multi Metering, Regist. Faces Priority, Focus Magnifier (35mm full frame: 2.1x / 4.1x APS-C: 1.5x / 3.0x)

Exposure Control

METERING SENSITIVITY
EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
EXPOSURE MODES
[Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode, [Still images] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M)

Recording (Still image)

RECORDING FORMAT
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
IMAGE SIZE
Image size [3:2] 35mm full frame L:12M, M:5.1M, S:3.0M, APS-C L:5.1M, M:3.0M, S:1.3M, Image size [4:3] 35mm full frame L:11M, M:4.6M, S:2.7M, APS-C L:4.6M, M:2.7M, S:1.1M Image size, [16:9] 35mm full frame L:10M, M:4.3M, S:2.6M, APS-C L:4.3M, M:2.6M, S:1.1M, Image size [1:1] 35mm full frame L:8M, M:3.4M, S:2.0M, APS-C L:3.4M, M:2.0M, S:0.8M

Playback

PLAYBACK FUNCTIONS
Index view, Folder selection (Date / Still / Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)

Interface

TC INPUT/TC OUTPUT
Multi/Micro USB, TC IN
AUDIO INPUT
3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)
USB
USB Type-C
HEADPHONE OUTPUT
Yes (3.5 mm Stereo minijack)
SPEAKER OUTPUT
Built-in, monaural
HDMI OUTPUT
HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit
MULTI INTERFACE SHOE
With Digital Audio Interface
Bluetooth
Bluetooth Standard Ver. 5.0 (2.4GHz band))

Media

MEDIA TYPE
CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy

Monitoring

LCD
7.5cm (3.0-type) type, approx. 2.36M dots, touch panel, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

Built-in Microphone

BUILT-IN MICROPHONE
Built-in, stereo

File System

FILE SYSTEM
FAT12, 16, 32, exFAT

Still image function

SHUTTER
Mechanical shutter / Electronic shutter
DRIVE MODES
Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
CONTINUOUS SHOOTING SPEED
Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
NOISE REDUCTION
Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal / Low / Off
FLASH CONTROL
Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/250 sec.
OTHER STILL IMAGE FUNCTION
Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot 

Image Stabilization

Type
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
MODE
[Movie] Active / Standard / Off, [Still image] On / Off
COMPENSATION EFFECT (STILL IMAGES)
5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

Custom Function

CUSTOM FUNCTION
Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set

Lens Compensation

LENS COMPENSATION
Shading, Chromatic Aberration, Distortion, Breathing (Movie)

Wi-Fi/NFC

SUPPORTED FORMAT
IEEE 802.11a/b/g/n/ac
FREQUENCY BAND
2.4GHz band/5GHz band
SECURITY
WEP/WPA-PSK/WPA2-PSK
NFC
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FTP Transfer

FTP Transfer
Wired LAN (USB-LAN), USB Tethering, Wi-Fi
  • Sony FX3A Full-Frame Cinema Camera
  • Sony NP-FZ100 Battery (2280mAh)
  • Sony BC-ZD1 Dual-Battery Charger for NP-FZ100 Batteries
  • Sony XLR-H1 XLR Handle Unit
  • Body Cap
  • M1 Accessory Shoe Cap
  • Handle Shoe Cap
  • Accessory Cold Shoe Kit

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