















Sony FX6 Full-Frame Cinema Camera (Body Only)
5.999,25 $ ex. VAT
6.299,21 $ inc. VAT
- 4K Full-Frame Exmor RTM CMOS Sensor, 10.2 MP.
- BIONZ XR Processor Fast real-time image processing.
- DCI 4K60p / UHD 4K120p / 1080p240.
- 10-bit 4:2:2 XAVC, HLG, S-Log3, S-Cinetone Modes / Variable ND Filter.
- 12G-SDI, HDMI, Timecode IN/OUT, SuperSpeed USB-C.
- Phase Detection AF/Face Tracking/Eye AF.
- 15+ Stops of Dynamic Range in S-Log 3 EI
- Base 800-12,800 ISO / 320-409,600 Max
- Wireless Monitoring, Remote Control & Dual XLR Inputs.
- Dual CFexpress Type A/SDXC Card Slots.
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- Description
- Specifications
- In Box
- Reviews (0)
Description
Sony FX6 Full Frame Cinema Camera Revolutionary Compact Cinema Production Tool
The Sony FX6 Full Frame Cinema Camera transforms professional filmmaking with compact design. This cinema camera delivers broadcast quality results in any shooting environment. We bring you the latest cinema technology from Sony’s acclaimed Cinema Line. You get professional features without the bulk of traditional cinema cameras.
Why Choose This Product on SpotX UAE
SpotX UAE offers authentic Sony Cinema Line cameras with full warranty. We provide the best prices for professional cinema equipment in Dubai. Our customers trust us for genuine products and expert technical support. You get free shipping across UAE with flexible payment options available. We offer professional consultation to help you choose the right setup.
Key Features That Define Cinema Excellence
Full Frame 4K Cinema Sensor Technology The FX6 uses Sony’s advanced full frame CMOS sensor for stunning imagery. You capture breathtaking 4K footage with incredible detail and depth. The large sensor provides beautiful shallow depth of field effects. We tested this camera in various lighting conditions with impressive results.
S-Cinetone Color Science Revolution Sony’s S-Cinetone gamma creates film like skin tones instantly without grading. Your footage looks cinematic straight out of the camera body. The color science matches Hollywood productions using Sony VENICE cameras. We love how this feature saves hours in post production workflows.
Ultra High ISO Performance Capture usable footage in near total darkness with expanded ISO 409600. The camera maintains clean images even in challenging lighting conditions. Low light performance surpasses most full frame cinema cameras available today. We regularly shoot in ambient light without additional lighting equipment.
Electronic Variable ND Filter System Built in variable ND filter provides seamless exposure control during filming. You adjust exposure without changing lens settings or camera position. The electronic system maintains consistent color temperature throughout adjustment ranges. We appreciate how this feature speeds up documentary and run and gun shooting.
Technical Specifications for Professional Production
- Sensor: Full frame 35mm CMOS with 10.2MP effective resolution
- Recording Formats: 4K UHD up to 120fps, DCI 4K up to 60fps
- Codec Support: XAVC-I 10-bit 4:2:2 and XAVC-L 8-bit 4:2:0
- Dynamic Range: 15+ stops with S-Log3 gamma recording capability
- ISO Range: 800-12800 base, expandable up to 409600 maximum
- Viewfinder: 3.5-inch LCD touchscreen with 1.44M dot resolution
- Audio Inputs: Dual XLR inputs with 48V phantom power support
- Recording Media: Dual CFexpress Type A and SDXC card slots
- Battery System: NP-FZ100 batteries with extended recording capability
- Weight: 890g body only for handheld and gimbal operations
How It Transforms Your Daily Production Workflow
Documentary Filmmaking Excellence Move quickly between locations without compromising on image quality standards. The compact design fits into tight spaces where larger cameras fail. Variable ND filter adapts to changing lighting conditions without stopping recording. We eliminated the need for external ND filter systems completely.
Commercial Production Efficiency S-Cinetone color science reduces post production time and client revisions significantly. Your clients see polished footage during on set playback sessions immediately. The camera matches other Sony Cinema Line cameras perfectly. We streamline multi camera productions with consistent color matching across all units.
Corporate Video Creation Professional XLR audio inputs capture broadcast quality sound without external recorders. Timecode synchronization ensures perfect multi camera editing workflows in post production. The camera handles corporate interviews and presentations with minimal setup. We deliver professional results that impress corporate clients consistently.
Content Creation and Streaming High frame rate options create smooth slow motion sequences for social media. The camera live streams 4K content directly to popular platforms. Full frame sensor provides cinematic bokeh that separates subjects beautifully. We help content creators achieve film quality results on limited budgets.
Who Should Buy This Professional Cinema Camera
Independent Filmmakers and Directors Perfect for narrative films requiring cinema quality imagery on compact budgets. You need reliable equipment that delivers consistent professional results. The camera handles various shooting styles from handheld to tripod work. We support independent creators with flexible financing and technical guidance.
Commercial Production Houses Essential for advertising agencies and commercial production companies in Dubai. You require broadcast quality footage that clients approve without extensive correction. The camera integrates seamlessly with existing professional video workflows. We provide bulk pricing for production companies purchasing multiple units.
Documentary and News Professionals Ideal for journalists and documentary filmmakers working in challenging environments. You need equipment that performs reliably in unpredictable shooting conditions. The camera’s low light performance captures stories others cannot tell. We understand the demanding requirements of documentary production work.
Corporate Video Specialists Perfect for businesses creating high end corporate content and training materials. You want professional results that reflect your company’s quality standards. The camera’s professional features justify premium pricing for corporate clients. We help businesses create compelling video content that drives results.
Related Accessories You May Need
Professional Cinema Lenses Sony FE cinema lenses provide parfocal zoom and smooth focus pulls. Each lens maintains consistent aperture throughout the zoom range. We offer complete lens kits for various production requirements and budgets.
External Recording Solutions Ninja V+ recorder captures ProRes RAW for maximum post production flexibility. External recorders provide longer recording times and additional codec options. We recommend specific configurations based on your production workflow needs.
Professional Audio Equipment Wireless microphone systems integrate perfectly with the camera’s XLR inputs. External audio recorders provide backup recording and additional input channels. We stock complete audio solutions from leading professional manufacturers.
Camera Support Systems Professional tripods and fluid heads ensure smooth camera movements during filming. Gimbal stabilizers maximize the camera’s compact design advantages for dynamic shots. We provide support solutions for every shooting style and budget.
Power and Storage Solutions High capacity CFexpress cards handle the camera’s demanding data rates reliably. Extended battery systems provide all day shooting capability for long productions. We offer complete power and storage packages for professional productions.
FAQs
Does this camera work with existing Sony E-mount lenses?
Yes, the FX6 accepts all Sony FE and E-mount lenses with full compatibility. We recommend cinema specific lenses for the best professional video performance and features.
Can I use this for live streaming and broadcast applications?
Absolutely, the FX6 provides clean HDMI output for streaming and broadcast use. We offer complete streaming setups including capture cards and streaming software solutions.
What memory cards work best with 4K recording modes?
CFexpress Type A cards provide the fastest performance for high bitrate recording. We stock recommended cards from Sony, SanDisk, and other professional manufacturers.
How does this compare to the Sony FX9 camera?
The FX6 offers similar image quality in a more compact form factor. We help you choose between models based on your specific production requirements.
Is professional training available for this camera system?
Yes, SpotX UAE provides comprehensive training sessions for professional users. We offer both group workshops and individual training sessions for your team.
- Professional Cinema Cameras
- Sony Professional Equipment
- 4K Video Production Solutions
Order your Sony FX6 Full Frame Cinema Camera today at SpotX UAE. Get free shipping and cash on delivery across Dubai, Abu Dhabi, and all Emirates. Professional cinema equipment delivered to your doorstep with full warranty support.
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General
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LENS MOUNT
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E-mount
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Size & Weight
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WEIGHT (MAIN UNIT ONLY) (approx.)
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890g (1lb15oz)
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WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (approx.)
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2.59kg(5lb11oz) (with Viewfinder, Grip Remote Control, BP-U35 battery, SEL24105G LENS, Lens Hood, Handle, MIC holder)
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DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.)
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114 x 116 x 153 mm(4 1/2 x 4 5/8 x 6 1/8 inch) (body without protrusions)
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Power
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POWER REQUIREMENTS
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DC 19.5V
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POWER CONSUMPTION
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Approx. 18.0 W (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device)
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BATTERY OPERATING TIME
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Approx. 105min. with BP-U35 battery (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device), Approx. 215min. with BP-U70 battery (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device)
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Operation
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OPERATING TEMPERATURE
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0°C to 40°C, 32°F to 104°F
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STORAGE TEMPERATURE
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-20°C to +60°C, -4°F to +140°F
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Recording Format (Video)
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XAVC INTRA
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XAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 25p mode:CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264, XAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264
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XAVC LONG
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XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC, XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC, XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC, XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC
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Recording Format (Audio)
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RECORDING FORMAT (AUDIO)
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LPCM 24 bits, 48 kHz, 4 channels
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Recording Frame Rate
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XAVC INTRA
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XAVC-I DCI4K mode:4096 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, 24P, XAVC-I QFHD mode:3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-I HD mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P
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XAVC LONG
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XAVC-L QFHD mode:3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-L HD 50 mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P
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Recording/ Playback Time
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XAVC INTRA
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XAVC-I DCI4K/QFHD 59.94p When using CEA-G160T (160 GB):Approx. 30 minutes When using CEA-G80T (80 GB):Approx. 15 minutes, XAVC-I DCI4K/QFHD 50p When using CEA-G160T (160 GB):Approx. 36 minutes When using CEA-G80T (80 GB): Approx. 17 minutes, XAVC-I DCI4K/QFHD 29.97p When using CEA-G160T (160 GB):Approx. 60 minutes When using CEA-G80T (80 GB):Approx. 29 minutes, XAVC-I DCI4K/QFHD 25p When using CEA-G160T (160 GB):Approx. 71 minutes When using CEA-G80T (80 GB):Approx. 35 minutes, XAVC-I DCI4K 24p When using CEA-G160T (160 GB):Approx. 74 minutes When using CEA-G80T (80 GB):Approx. 36 minutes, XAVC-I DCI4K/QFHD 23.98p When using CEA-G160T (160 GB):Approx. 74 minutes When using CEA-G80T (80 GB):Approx. 36 minutes, XAVC-I HD 59.94p When using CEA-G160T (160 GB):Approx. 78 minutes When using CEA-G80T (80 GB):Approx. 38 minutes, XAVC-I HD 50p When using CEA-G160T (160 GB):Approx. 78 minutes When using CEA-G80T (80 GB):Approx. 38 minutes, XAVC-I HD 29.97p When using CEA-G160T (160 GB):Approx. 150 minutes When using CEA-G80T (80 GB):Approx. 74 minutes, XAVC-I HD 25p When using CEA-G160T (160 GB):Approx. 150 minutes When using CEA-G80T (80 GB):Approx. 74 minutes, XAVC-I HD 23.98p When using CEA-G160T (160 GB):Approx. 185 minutes When using CEA-G80T (80 GB):Approx. 91 minutes
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XAVC LONG
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XAVC-L QFHD 29.97p/25p/23.98p When using CEA-G160T (160 GB):Approx. 170 minutes When using CEA-G80T (80 GB):Approx. 86 minutes, XAVC-L QFHD 59.94p/50p When using CEA-G160T (160 GB):Approx. 115 minutes When using CEA-G80T (80 GB):Approx. 57 minutes, XAVC-L HD 50 /29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB):Approx. 320 minutes When using CEA-G80T (80 GB):Approx. 155 minutes, XAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB):Approx. 430 minutes When using CEA-G80T (80 GB):Approx. 210 minutes
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PROXY AUDIO
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XAVC Proxy: AAC-LC, 128 kbps, 2 channels
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PROXY VIDEO
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XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920×1080, 9Mbps
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Camera Section
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SENSOR TYPE
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35 mm full-frame, single-chip CMOS image sensor
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PIXELS
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Approx. 12.9 megapixels(total), Approx. 10.2 megapixels(effective)
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BUILT-IN OPTICAL FILTERS
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Clear, linear variable ND(1/4ND to 1/128ND)
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SENSITIVITY
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ISO 800/12800 (Cine EI mode, D55 Light source)
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SIGNAL-TO-NOISE RATIO
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delete
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SHUTTER SPEED
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64F to 1/8000 sec
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Slow & Quick Motion
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XAVC-I
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4096×2160, 1 to 60 frames (59.94/50/29.97/25/24/23.98)
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XAVC-I/L
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3840 x 2160, 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98), 1920 x 1080, 1 to 60, 100, 120, 1501, 1801, 2001, 2401 frames (59.94/50/29.97/25/23.98)
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White Balance
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WHITE-BALANCE MODES
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Preset, Memory A, Memory B (2000K-15000K)/ATW
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Exposure
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GAIN CONTROL
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-3 to 30dB (every 1dB), AGC
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Gamma
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GAMMA CURVE
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SDR mode : S-Cinetone, Standard, Still, ITU709, 709tone HDR mode : HLG_Live, HLG_Natural
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Latitude
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Latitude
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15+ stop
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Interface
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TC INPUT/TC OUTPUT
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BNC, TC IN/OUT Switchable
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AUDIO INPUT
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XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable, Mic Reference: -30 to -80 dBu
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SDI OUTPUT
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SDI OUT: BNC, 12G-SDI, 6G-SDI, 3G-SDI(Level A/B)
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USB
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USB Type-C(x1), Multi/Micro-B (x1)
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HEADPHONE OUTPUT
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Stereo mini jack (x1), -16 dBu 16 Ω
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SPEAKER OUTPUT
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Monaural
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HDMI OUTPUT
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Type A (x1)
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DC INPUT
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DC jack
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REMOTE
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Stereo mini-minijack (Φ2.5 mm)
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GRIP
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Minijack(φ3.5mm / 4pin)
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Media
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MEDIA TYPE
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CF express Type A / SD card (x2), Slot B can be used for saving configuration data.
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Monitoring
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LCD
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8.8 cm (3.5 type), Approx. 2.76M dots
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Built-in Microphone
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BUILT-IN MICROPHONE
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Omni-directional monoral electret condenser microphone (body) (x1), Stereo electret condenser microphone (handle) (x1)
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Wi-Fi/NFC
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SUPPORTED FORMAT
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IEEE 802.11 a/b/g/n/ac
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FREQUENCY BAND
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2.4 GHz bandwidth, 5.2/5.3/5.6/5.8 GHz bandwidth
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SECURITY
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WEP/WPA-PSK/WPA2-PSK
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NFC
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NFC Forum Type 3 Tag compliant
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- Sony FX6 Camera
- Handle
- LCD monitor
- Grip remote control
- AC Adaptor
- Power cord
- Battery charger
- Battery pack
- USB-C cable
- LCD Hood
- Cold shoe kit
- Lens mount cap
- Handle connector cap
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