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Key Features
Professional Steel Shot Bags in 5 weight options for maximum flexibility
Quick Wrap Design secures around stands, booms, and arms in seconds
Weather Resistant Build performs reliably in all shooting environments
Universal Compatibility works with any light stand or grip equipment
Compact Storage Design saves space in your production kit
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- Description
- Specifications
- Notes
- In The Box
- Reviews (0)
Description
Matthews Boa Bags Professional Weight Solution for Studio Stability
The Matthews Boa Bags collection gives photographers complete control over equipment safety. We offer five weight options to match your exact needs. Each bag uses coated steel shot for superior performance. SpotX brings you authentic Matthews quality at competitive prices. These bags secure your valuable lighting and grip gear.
Professional photographers trust Matthews for studio safety equipment. The Boa Bags deliver instant stability for light stands. Your equipment stays secure even in challenging conditions. We know how important safety is for your gear. That is why SpotX only stocks genuine Matthews products.
Key Features That Make a Difference
Professional Grade Construction Matthews builds each Boa Bag with premium coated steel shot. The material resists moisture and temperature changes. Your bags maintain consistent weight over years of use. The durable outer fabric withstands daily studio abuse. We have tested these bags in real production environments.
Quick Application System Traditional sandbags take time to position correctly. Matthews Boa Bags wrap and secure in seconds. The design naturally conforms to any stand shape. You spend less time on setup and more time shooting. This efficiency matters during tight production schedules.
Why Choose Matthews Boa Bags at SpotX
SpotX delivers authentic Matthews products across the UAE. We understand the needs of professional photographers and videographers. Our team uses these products in real productions. That hands on experience helps us serve you better.
100% Original Matthews Products Every Boa Bag comes directly from Matthews Studio Equipment. We guarantee authenticity with full manufacturer backing. Counterfeit products cannot match genuine Matthews quality. Your investment stays protected with real warranty coverage. SpotX never compromises on product authenticity.
Fast Delivery Across Dubai and UAE Order today and receive your equipment quickly. We ship to Dubai, Abu Dhabi, Sharjah, and beyond. Most orders arrive within 24 to 48 hours. Urgent shoots get priority handling when needed. SpotX understands production timelines matter.
Cash on Delivery Available Pay when your order arrives at your location. This payment flexibility gives you complete confidence. Inspect your Matthews Boa Bags before finalizing payment. We make purchasing professional equipment hassle free. Your satisfaction drives our service standards.
Technical Specifications
Weight Options Available The collection includes bags in 2.5, 5, 10, and 15 pound weights. Each weight serves specific applications in studio work. Smaller weights suit boom arms and lightweight stands. Heavier options secure large grip equipment and overhead rigs.
Construction Materials Premium coated steel shot fills each bag evenly. The outer fabric resists tears and abrasions. Weather resistant coating protects against moisture damage. Reinforced stitching handles repeated use without failure. Matthews quality shows in every construction detail.
Compatibility Range These bags work with all standard light stands. C-stands benefit from the wrap around design. Boom arms gain perfect counterweight balance. Background support systems achieve rock solid stability. Any grip equipment with legs or columns works perfectly.
How Matthews Boa Bags Help Your Daily Production Work
Studio Photography Sessions
Indoor shoots demand stable lighting that never shifts. Boa Bags keep your softboxes positioned exactly right. Portrait sessions proceed smoothly without equipment concerns. Product photography requires precise light placement every time. These bags eliminate worry about stand stability.
Outdoor Video Production
Wind challenges every outdoor shoot we do. Matthews Boa Bags combat gusts that topple unweighted stands. Your lighting stays secure during all day exterior shoots. Documentary work benefits from reliable equipment performance. SpotX equips UAE videographers for outdoor success.
Event Coverage
Wedding photographers need dependable gear that works fast. Set up lights quickly with confidence at venues. Corporate events demand professional presentation without equipment failures. The quick wrap design speeds setup at multiple locations. Your reputation depends on equipment that never fails.
Commercial Production
High budget shoots cannot afford equipment accidents. Directors expect flawless technical execution throughout filming. Boa Bags provide the security that professionals demand. Advertising work requires absolute stability for consistent lighting. Matthews quality matches commercial production standards.
Who Should Buy Matthews Boa Bags
Professional Photographers
Studio photographers need reliable safety equipment every day. Your expensive lighting always deserves proper protection. Commercial work demands equipment that performs flawlessly. Matthews products match your professional standards perfectly. SpotX serves Dubai’s photography community with genuine gear.
Content Creators and Studios
YouTube creators need professional results on creator budgets. Podcasters benefit from stable lighting during recording sessions. Product reviewers require consistent setup for quality content. Social media studios demand equipment that works reliably. Matthews quality elevates your content production value.
Related Accessories You May Need
Light Stands and C-Stands Pair your Boa Bags with quality Matthews light stands. C-stands benefit especially from proper weight distribution. Boom arms require counterweights for safe operation. SpotX stocks complete grip equipment solutions. Build your studio kit with matching Matthews products.
Boom Arms and Extensions
Overhead lighting always requires proper counterweight balance. Matthews boom arms work perfectly with Boa Bags. Extended reach becomes safe with appropriate weight distribution. Your creative possibilities expand with proper support equipment. Shop the complete Matthews collection at SpotX.
Grip Equipment and Clamps
Super clamps attach securely to weighted stands. Background support systems need stable foundation equipment. Flag holders benefit from unshakeable base stability. Complete your grip package with Matthews accessories. SpotX provides everything for professional setups.
Carrying Cases and Storage
Protect your investment with proper storage solutions. Equipment cases designed for grip gear save space. Organized storage speeds setup at every location. Professional presentation matters to your clients. SpotX offers complete studio organization solutions.
FAQs
Can I use Matthews Boa Bags outdoors in Dubai heat?
Yes, the coated steel construction handles extreme temperatures perfectly. The weather-resistant design performs reliably in UAE climate conditions. We use these bags outdoors throughout the year.
What weight should I choose for my light stands?
Match bag weight to your stand and light combination. Small lights need 5 lb bags for basic stability. Medium setups work well with 10 lb options. Large C-stands with heavy lights require 15 lb bags.
How do Boa Bags compare to traditional sandbags?
Steel shot provides consistent weight that sand cannot match. The split design wraps equipment better than filled bags. Setup takes seconds instead of minutes with traditional options. Matthews quality justifies the professional investment completely.
Are these bags filled or do I add my own weight?
Matthews Boa Bags come pre filled with coated steel shot. You receive them ready to use immediately. No filling or preparation needed before your shoot. SpotX delivers production ready equipment.
Can I travel with these bags on flights?
Yes, many photographers fly with Boa Bags successfully. Check with your airline about weight restrictions beforehand. The compact design fits well in checked equipment cases. International productions often include these bags in gear shipments.
Do the bags work with boom poles?
Absolutely, boom poles benefit greatly from Boa Bags. The split design allows perfect wrap around boom arms. Counterweight prevents dangerous tip over situations during operation. Professional boom work requires proper counterweight always.
What warranty comes with Matthews products at SpotX?
All Matthews equipment includes full manufacturer warranty coverage. SpotX honors all warranty claims with complete support. Original products receive genuine Matthews service backing. Your investment stays protected with authentic gear.
| Lens | ||
| Lens Mount | E-mount | |
| Image Sensor | ||
| Aspect Ratio | 3:02 | |
| Number Of Pixels (Effective) | Approx. 50.1 megapixels | |
| Number of Pixels (total) | Approx. 50.5 megapixels | |
| Sensor Type | 35mm full frame (35.9 x 24.0mm), Exmor RS CMOS sensor | |
| Anti-Dust System | Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism) | |
| Recording system (Still Image) | ||
| Recording Format | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant) | |
| Image Size (pixels) [3:2] | 35mm full frame L: 8640 x 5760 (49.7M), M: 5616 x 3744 (21M), S: 4320 x 2880 (12.4M), APS-C M: 5616 x 3744 (21M), S: 4320 x 2880 (12.4M) | |
| Image Quality Modes | RAW (Compressed / Lossless Compressed (L / M /S) / Uncompressed), JPEG (Extra fine / Fine / Standard / Light), HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard / Light) | |
| Recording System (movie) | ||
| VIDEO COMPRESSION | XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265 | |
| AUDIO RECORDING FORMAT | LPCM 2ch(48kHz 16bit), LPCM 2ch(48kHz 24bit)1, LPCM 4ch(48kHz 24bit)1, MPEG-4 AAC-LC 2ch2 | |
| Recording System | ||
| Location information Link from smartphone | Yes | |
| Media | SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card | |
| Memory Card Slot | SLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card | |
| Recording mode on 2 memory cards | Simult. Rec, Sort, Auto Switch Media, Copy | |
| Noise reduction | ||
| Noise Reduction | Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.,High ISO NR: Normal / Low / Off | |
| White balance | ||
| White Balance Modes | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom | |
| SHUTTER AWB LOCK | Yes (Shut. Halfway Down / Cont. Shooting / Off) | |
| Focus | ||
| Focus Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) | |
| Focus Sensor | Exmor RS CMOS sensor | |
| Focus Point | 35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 759 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF) | |
| Focus Sensitivity Range | EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached) | |
| Focus Mode | AF-S (Single-shot AF), AF-C ( Continuous AF), DMF (Direct Manual Focus), Manual Focus | |
| Focus Area | Wide / Zone / Center Fix / Flexible Spot / Expanded Flexible Spot / Tracking | |
| EYE AF / SUBJECT RECOGNITION AF | Still images: Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird, Movie: Human (Right/Left Eye Select) | |
| Other Features | Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point | |
| AF Illuminator | Yes (with Built-in LED type) | |
| AF Illuminator range | Approx. 0.3m – approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached) | |
| Focus type with LA-EA3 (Sold separately) | Phase-detection | |
| Exposure | ||
| Metering Type | 1200-zone evaluative metering | |
| Viewfinder | ||
| Viewfinder Type | 1.6 cm (0.64 type) electronic viewfinder (color) | |
| Number of Dots | 9 437 184 dots | |
| Field Coverage | 100% | |
| Magnification | Approx. 0.90 x (with 50mm lens at infinity, -1m-₁) | |
| Dioptre Adjustment | -4.0 to +3.0m-₁ | |
| Eye Point | Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-₁ (CIPA standard) | |
| DISPLAY FUNCTION | Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC | |
| Finder Frame Rate Selection | STD 60fps / HI 120fps / HI+ 240fps3 | |
| LCD Screen | ||
| Monitor Type | 7.5cm (3.0-type) type TFT | |
| Touch Panel | Yes | |
| Number of Dots | 1,440,000 dots | |
| Brightness Control | Manual (5 steps between -2 and +2), Sunny Weather mode | |
| Adjustable Angle | Up by Approx. 107 degrees, Down by Approx. 41 degrees | |
| Focus Magnifier | Yes, Focus Magnifier (35mm full frame: 4.2x / 8.5x, APS-C: 2.7x / 5.5x) | |
| Other Features | ||
| PlayMemories Camera Apps™ | – | |
| Clear Image Zoom | Still images:Approx. 2x,Movies:Approx. 1.5x (4K), Approx. 2x (HD) | |
| Digital Zoom | Smart zoom (Still images):35mm full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: S:Approx. 2x, Digital zoom (Still images):35mm full frame: L:Approx. 4x, M:Approx.6.1x, S:Approx. 8x,APS-C: M:approx. 4x, S: approx. 5.2x, Digital zoom (Movie):35mm full frame: Approx. 4x, APS-C: Approx. 4x | |
| Face Detection | Face/Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority | |
| Self-Portrait Self-timer | – | |
| Others | Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate | |
| Shutter | ||
| Type | Electronically-controlled, vertical-traverse, focal-plane type | |
| Shutter Type | Mechanical shutter/Electronic shutter | |
| Shutter Speed | Still images, Single shot Mechanical Shutter:1/8000 to 30 sec, Bulb; AUTO: 1/32000 to 30 sec, Bulb; Electronic Shutter: 1/32000 to 30 sec; Still images, Continous shooting Mechanical; Shutter:1/8000 to 30 sec; AUTO: 1/32000 to 1/2 sec; Electronic Shutter: 1/32000 to 1/2 sec; Movies: 1/8000 to 1/4(1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) | |
| Flash Sync. Speed | (Mechanical shutter), (Flash Sync. Priority) is (ON) or (AUTO):1/400 sec (35mm full frame), 1/500 sec (APS-C), (Flash Sync. Priority) is (OFF):1/320 sec (35mm full frame), 1/400 sec (APS-C), (Electrical shutter), 1/200 sec (35mm full frame), 1/250 sec (APS-C) | |
| Electronic Front Curtain Shutter | Yes | |
| Silent Shooting | Yes (ON/OFF) | |
| Image Stabilization | ||
| Type | Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications) | |
| Compensation Effect | 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.) | |
| Drive | ||
| Drive Modes | Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket | |
| Continuous Drive Speed (approx. max.) | AUTO/Electronic Shutter: Continuous shooting: Hi+: 30 fps, Hi: 20 fps, Mid: 15fps, Lo: 5 fps,4567 Mechanical Shutter: Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6fps, Lo: 3 fps | |
| No. of recordable frames (approx.) | JPEG Extra fine L: 182 frames, JPEG Fine L: 400 frames, JPEG Standard L: 400 frames, RAW: 238 frames, RAW & JPG: 192 frames, RAW (Lossless Compression): 96 frames, RAW (Lossless Compression) & JPG: 83 frames, RAW (Uncompressed): 82 frames, RAW (Uncompressed) & JPG: 78 frames | |
| Self-Timer | 10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer | |
| Pixel Shift Multi Shooting | Yes (4 shots / 16 shots)8 | |
| Playback | ||
| Photo Capture | Yes | |
| Modes | Single (with or without shooting information Y RGB histogram & highlight / shadow warning),Index view,Enlarged display mode (L: 21.6x, M: 14.0x, S: 10.8x),Auto Review,Image orientation,Folder selection (Date / Still / Movie),Protect,Rating,Display as Group | |
| Compatible Standards | Exif Print, Print Image Matching III | |
| Custom Function | ||
| Type | Custom key settings,Programmable Setting (Body 3 sets /memory card 4 sets),My Dial Settings,My Menu,Reg Cust Shoot Set | |
| Lens Compensation | ||
| Setting | Peripheral Shading, Chromatic Aberration, Distortion | |
| Interface | ||
| PC Interface | Mass-storage / MTP | |
| Multi / Micro USB Terminal | Yes (SuperSpeed USB 10Gbps (USB 3.2) compatible) | |
| Wireless LAN (Built-In) | Yes (Wi-Fi Compatible, IEEE 802.11b/g/n (2.4GHz band))9 | |
| Sync Terminal | Yes | |
| Bluetooth | Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band)) | |
| Multi Interface Shoe | Yes (with Digital Audio Interface)10 | |
| Vertical Grip Connector | Yes | |
| Mic Terminal | Yes (3.5 mm Stereo minijack) | |
| Headphone Terminal | Yes (3.5 mm Stereo minijack) | |
| LAN Terminal | Yes (1000BASE-T, 100BASE-TX, 10BASE-T) | |
| FUNCTIONS | FTP Transfer Func.(Wired LAN, USB Tethering, Wi-Fi)., View on Smartphone,Remote control via Smartphone, NFC One-touch remote,PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD | |
| Audio | ||
| Microphone | Built-in, stereo | |
| Speaker | Built-in, monaural | |
| Power | ||
| Supplied Battery | One rechargeable battery pack NP-FZ100 | |
| Battery Life (Still Images) | Approx. 430 shots (Viewfinder) / approx. 530 shots (LCD monitor) (CIPA standard) | |
| Battery Life (Movie, actual recording) | Approx. 90 min. (Viewfinder) / Approx. 95 min. (LCD monitor) (CIPA standard) | |
| Battery Life (Movie, continuous recording) | Approx. 145 min. (Viewfinder) / Approx. 150 min. (LCD monitor) (CIPA standard) | |
| Internal Battery Charge | Yes (Available with USB Type-C Terminal. USB Power Delivery compatible) | |
| Power consumption with Viewfinder | Still images: approx. 4.6W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 6.8W (with FE 28-70mm F3.5-5.6 OSS lens attached) | |
| Power consumption with LCD screen | Still images: approx. 3.7W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 6.6W (with FE 28-70mm F3.5-5.6 OSS lens attached) | |
| USB Power supply | Yes (Available with USB Type-C Terminal. USB Power Delivery compatible) | |
| Others | ||
| Operating Temperature | 32 – 104 degrees F / 0 – 40 degrees C | |
| Size & Weight | ||
| Weight (with battery and memory card included) | Approx. 737 g, approx. 1 lb 10.0 oz | |
| Dimensions (W x H x D) | Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR) | |
- “Hi+” continuous shooting mode. At 1/125 s. or higher. In AF-C mode the maximum continuous frame rate will depend on the shooting mode and lens used.
- With 10% image crop.
- “Hi+” continuous shooting mode, CFexpress Type A memory card.
- “Hi+” continuous shooting mode, compressed RAW, CFexpress Type A memory card.
- Electronic shutter mode with “Hi+” finder frame rate. Display updating will be slower at slow shutter speeds.
- At shutter speeds of 1/125 s. or higher. The number of AF calculations will depend on the lens used.
- Shutter speeds slower than 1/2 s. cannot be selected.
- Shutter speed slower than 1/2 cannot be set while continuous shooting. Tracking performance and max. aperture differs by settings and lenses.
- Standard ISO range: ISO 100–32000 for stills and movies (expandable to ISO 50–102400 for stills).
- CIPA standards. Pitch/yaw shake only. Planar T* FE 50 mm F1.4 ZA lens. Long exposure NR off.
- Accurate focus may not be achieved with certain subjects in certain situations.
- For still images. The number of points varies according to the shooting mode.
- When recording 4K 120p/100p or 8K movies, [APS-C S35 Shooting] becomes disabled and locked to [Off].
- Post-production editing and S&Q mode recording required. Data must be recorded to a CFexpress Type A memory card when recording in XAVC S-I format at a frame rate of 120 (100) fps or higher.
- Effective at shutters speeds of 1/60 and lower. Still images only. S and M modes only. Electronic shutter only.
- Not guaranteed to be 100% dust and moisture proof.
- When [Finder Frame Rate] is set to [HI+], [Standard] is not available in [Viewfinder Magnification].
- When A-mount lens is used via mount adopter, the speed of continuous shooting varies depending on the attached lens.
- When the Focus Mode is set to AF-C (Continuous AF), the speed of continuous shooting varies depending on the attached lens.
- Continuous Drive Speed at a setting of Hi/Mid/Lo is selectable.
- During uncompressed RAW shooting, 20 images are shot per second at maximum.
- Images shot in Pixel Shift Multi Shooting mode can be processed using a dedicated imaging software by Sony.
- (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK).
- Sony accessories for the Accessory Shoe can be attached.
In The Box
- Sony Alpha 1 Mirrorless Camera
- Rechargeable Battery NP-FZ100
- Battery Charger BC-QZ1
- Body cap
- Accessory shoe cap
- USB-A to USB-C cable (USB 3.2)
- Shoulder Strap
- Eyepiece Cup
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